This Issue
Volume 2, Number 1, August 2015

Vol 2_No1-Memory_and_Spirit

Dr. Beth Turner
Editor-in-chief 
Florida A&M University

Dr. Freda Scott Giles
General and Managing Editor
University of Georgia

Dr. Hely M. Perez
Project Development Consultant
P and P Projects, LLC

Executive Editorial Board

Dr. Harry Elam, Stanford University
Dr. Paul Bryant-Jackson, Miami University, Ohio
Dr. Sandra Shannon, 
Howard University
Dr. Beth Turner, 
Florida A&M University

Book Review Editor
Dr. Sandra Adell
University of Wisconsin, Madison

Production Review Editor
Rebekkah Pierce
The Pierce Agency, LLC

________________

Table of Contents 

Volume 2 Number  1 - SPIRIT AND MEMORY - Aug. 2015  -  ISSN 2471-2507

Honky, by Greg Kallares, Presented at Black Box Theatre. Nadine Maguire Theatre Pavilion. University of Florida. Directed by Mikell Pinkney. March 2016
Blues for an Alabama Sky by Pearl Cleage. Performed at Charles Winter Wood Theatre, Florida A&M University, Oct. 21 - 25, 2015. Photograph by Evelyn Tyler.
Seven Guitars by August Wilson. Presented at Actors Theatre of Louisville, Louisville KY. September 2015
The Mountaintop by Katori Hall. Performed at The University of Arkansas Department of Theatre and The African and African American Studies Program Studio 404, January 30-February 1, 2015. Photograph by Emily Clarkson.
Gem of the Ocean by August Wilson. Performed at Florida A&M University, Oct 2014. Photograph by Kalisha London
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Last Sunday:
 Using Collaborative Playbuilding to Understand Why Some African Americans Leave the Black Church
James Webb

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Abstract

Collaborative playbuilding is an emerging qualitative arts-based research design that is participatory in nature and draws upon the expertise of its research participants to assist with data collection, analysis, and the dissemination of research findings, which includes creating a performance script, rehearsing with actors, and dialoguing with audience members in a post-show talk-back session (Campana, 2005; Norris, 2009). This type of research repositions participants from a passive to a more active state of engagement by placing them at the helm of the research process. Participants are considered to be co-collaborators with the primary research investigator, and they play an active role in the scriptwriting, rehearsal, and public performance of generated data (Norris, 2009). I used collaborative playbuilding as a means to bring together in a dialogic process both current and former long-term members of the Black Church. I engaged the participants, using traditional qualitative methods (e.g. interviews, observations, and a focus group) to investigate their experiences within the Black Church, and I asked each participant to assist in crafting the performance script, rehearse with actors, and speak to audience members in a post-show talk-back session with the goal of discovering what motivates some long-term members of Black churches to leave and not return.


 

Collaborative playbuilding is an emerging qualitative arts-based research design that is participatory in nature and draws upon the expertise of its research participants to assist with data collection, analysis, and the dissemination of research findings, which includes creating a performance script, rehearsing with actors, and dialoguing with audience members in a post-show talk-back session (Campana 2005; Norris 2009). This type of research repositions participants from a passive to a more active state of engagement by placing them at the helm of the research process. The methods employed by collaborative playbuilding are similar to those of performance ethnography in that researchers use interviews, observations, and focus groups to generate data that will be used (mostly verbatim) in a performance script and presented before a live audience. However, collaborative playbuilding is unique in that its design is not simply to report the findings of its research but also to fully involve its participants in that process. Therefore, data generation does not end with the presentation of the play but rather continues with post-show discussions with audiences and participants, causing an overlapping effect in the process of how data is generated, analyzed, and disseminated. Ultimately, there is no definitive claim on the methodology of collaborative playbuilding. Researchers adapt the form to fit the needs of their particular research questions.

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